AMIA 2023 Exhibitors

Meet these Exhibitors in the Pavilion on Thursday and Friday, November 16th & 17th!

 

Blackmagic Design

Booth 102 – blackmagicdesign.com/

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and film restoration software for the feature film, post production and television broadcast industries.

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Christy’s Editorial

Booth 107 –www.christys.net

Since 1969, Christy’s Editorial has provided the Motion Picture and Television Industry with top quality products, rentals, repairs and service. We sell, repair and maintain legacy film post production equipment, including flatbed editing tables, power and hand rewinds, splicers, synchronizers, viewers, optical and mag sound readers and film benches. We carry supplies, including film leaders, cores, split and fixed reels, splicing tape, adhesive tape, editing gloves, film cleaning solutions and cloths, film cement, guillotine splicer blades and perforators, film measuring sticks, loupes and trim boxes. Please visit our online store at: christys.net Christy’s is the Western Hemisphere distributor for KEM, CTM and Steenbeck viewing, inspection and rewind tables. We also sell CTM film cleaning machines. Christy’s also rents a complete line of Avid Editing Systems and Storage and Post Production Facilities to house your production.

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Colorlab

Booth 206 – colorlab.com/

Located in Rockville, Maryland and operating since 1972, Colorlab is a full-service motion picture laboratory. We offer daily film processing, printing, and scanning. With a focus on preservation, we also specialize in tape recovery and digitization, film recording, and digital mastering. At Colorlab we take pride in serving a vast community of archivists and filmmakers. Visit www.colorlab.com to learn more.
An AMIA Contributing Sponsor

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ColorScene

Booth 100 –www.colorscene.com

ColorScene is a highly respected systems integration company offering sales, service & support with an emphasis on image restoration, color grading, and film & digital image capture. ColorScene’s founder and CEO was the original design architect for daVinci Resolve. Bringing this unique product knowledge and deep understanding of the finishing process, the company practices a creative hands-on consulting approach to offer the best products and solutions for its customers.

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DFT – Digital Film Technology

Booth 205 – https://dft-film.com/

Film archives are of great historical importance and require long-term preservation for future generations. Whether you are considering long-term film archival of the original content and / or digitization of archival material for easier access DFT offers a complete and affordable hardware and software combination for archive facilities to secure the protection of film assets.
An AMIA Sponsor
An AMIA Institutional Member

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Digital Bedrock

Digital Bedrock provides managed digital preservation services. Its off-cloud architecture combines object storage technologies for searching unstructured data, with green and secure storage. Your digital content is actively managed over time by monitoring its bit health and format obsolescence vulnerabilities, as well as managing geographically dispersed redundant storage for disaster recovery. Our digital preservation services were developed from experience and familiarity with archives and institutions, allowing more collection caretakers to rest easy knowing that they have a partner for low-cost, secure, and managed digital preservation services in a non-cloud based and future-proof environment. We use an open architecture, so there is no vendor lock-in. We are your staff and infrastructure, eliminating the need to train employees to do this complex work or make large-scale hardware investments.
An AMIA Sponsor

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Disk Archive Corporation

Booth 301 – www.diskarchive.com

We specialize in cutting-edge, high-availability, high-security enterprise-class archives and content libraries designed for the film, television, and legal evidence market. Trusted by Broadcast, Media, and surveillance companies, Producers, Distributors, and Archives worldwide, ALTO systems thrive in the most challenging environments, with over 400 systems in daily use.

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Duplitech

Booth 104 – www.duplitech.com

The Duplitech team provides digital preservation and archive restoration services including Film Inspection, 4K Film Scanning, Tape Migration, Digital Restoration (Film/Video/Audio), Dolby Vision HDR Color Grading, and Master QC. From our humble beginnings as a physical media duplicator, we’ve been adapting, evolving, and perfecting our solutions for over 25 years.

An AMIA Sponsor
An AMIA Institutional Member

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FilmFabriek

Booth 207 -filmfabriek.nl

FilmFabriek is a Dutch based company with clients all over the world. All our filmscanners are designed, build and tested in The Netherlands. We focus on research & development, to offer innovative products and solutions to our clients. All parts are designed by our team, to ensure the best quality and availability.

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Filmic Technologies

Booth 305 – www.filmictech.com
Filmic Technologies’ systems are designed to update the film preservation workflow, providing access and the ability to assess entire collections quickly and efficiently. The workflow can be simplified because EasyReel™ Technology does all the heavy-lifting, providing frame by frame analysis of each film. Coupled with a design that allows anyone to be an operator, EZ16 and EZ35 are true mass digitization machines, ready to preserve films for generations.

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Filmworkz

Booth 311 – https://filmworkz.com/

We launched in 2022 bringing the power of the Emmy award-winning image processing technology of our family company, Digital Vision World, to an entirely new audience in the form of OFX plugins, together with our Archive Restoration Company, R3store Studios, and our Footage Fanatics at R3el.com (scroll down for ‘we are family’ )

From freelancers to international broadcasters, indie film makers to Hollywood studios and everyone in-between, Filmworkz is proud to take the Digital Vision 30 year heritage into the next decade and beyond by making the world’s most comprehensive suite of image-processing DVO Tools more accessible than ever before.

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Iron Mountain Media & Archive Services

Booth 102 – Website

For more than 60 years, Iron Mountain has preserved priceless originals of blockbuster movies, popular songs, hit TV shows and other irreplaceable film and sound recordings. In doing so, the company helps major movie studios, recording labels, television production companies, and advertising agencies reduce their risk of losing or damaging these cultural artifacts, either physical or digital. Today, Iron Mountain continues to lead the industry in preserving and transferring analog and digital entertainment assets, offering unmatched expertise and resources, including: Experience in managing more than 21 million film and sound elements for more than 1,500 customers, including all of the top entertainment companies; A fully integrated digital studio to handle analog to digital transfer and storage for audio, video, and film assets; Highly secure, climate-controlled facilities that ensure preservation of valuable film and sound elements; A dedicated, trained, and screened staff of security professionals who keep assets secure and protected; A highly skilled team of award winning engineers to assist in digital transfers, migrations, and content delivery in 3 dedicated studios located within our preservation vaults, ensuring complete chain of custody of your assets.
An AMIA Sponsor
An AMIA Institutional Member

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 Kodak

Kodak is a technology company focused on imaging. We provide – directly and through partnerships with other innovative companies – hardware, software, consumables and service to customers in graphic arts, commercial print, publishing, packaging, entertainment and commercial films, and consumer products markets. With our world-class R&D capabilities, innovative solutions portfolio and highly trusted brand, Kodak is helping customers around the globe to sustainably grow their own businesses and enjoy their lives. For additional information on Kodak, visit us at kodak.com , follow us on Twitter @Kodak, or like us on Facebook at Kodak.
An AMIA Sponsor

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Lasergraphics|Galileo Digital

Lasergraphics has been developing state-of-the art film imaging systems since 1981 and is the only motion picture film scanner manufacturer still investing heavily in R&D for archival scanning.  Perfect for archival scanning and restoration, the 13.5K Director and 6.5K ScanStation can now scan lossless JPEG 2000, VistaVision (35 8-perf), 65-70mm 5-perf, and IMAX (65/70mm 8-perf and 15-perf) film. Both scanners come with new options for split reel plates to fit snugly over any cored reels; software-driven motorized film tension arms; 35mm 3-Track Sepmag/Fullcoat, 17.5mm Sepmag/Fullcoat, and Regular 8mm comMagmagnetic sound readers, Intelligent Noise Reduction (INR), and HDD or SSD internal storage.

The Archivist  — scanning 17.5mm, 16/S16mm, 9.5mm, and 8/S8mm film at up to 30 fps and up to 5K resolution — is an affordable solution for archives on a budget.

Galileo Digital has also taken on global distribution for the new Cinetech BSF Hydra Film Cleaner. Now probably the industry’s finest film cleaner, the BSF Hydra uses the only solvent rated ‘EXCELLENT’ BY Kodak and operates at a cost 96-98% LOWER than HFE film cleaners.

An AMIA Contributing Sponsor

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Media Migration Technology

Booth 104– mmtfilm.com/

Media Migration Technology (MMT) and CIR provide specialist equipment and technical support to the media restoration, digitization and preservation community. Media Migration Technology is the successor to the RTI Film Group’s activities, which include Lipsner Smith film cleaners, TapeChek broadcast videotape cleaner/evaluators, BHP film printers, Calder film processing machines, Colourmaster analyzers and many specialized laboratory products.

CIR is an internationally renowned manufacturer and designer of film archiving products such as 5k archive scanners, film viewing tables, rewinders, splicers.

Please visit mmtfilm.com and cir-srl.com or email info@mmtfilm.com

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Meta Martis

Booth 303 – www.metamartis.com

Meta Martis offers its cutting-edge videotape migration service to preserve and repurpose your invaluable media assets, at scale, on premise, including extracted metadata. Combining proven, best in class technology, Meta Martis goes beyond mere digitization to offer comprehensive media inspection and cleaning, meticulous signal analysis, and machine learning-driven extraction of people, logos, speech-to-text in 40 languages, and more. Your files are delivered on eco-friendly archival storage, complete with a visually intuitive, searchable library that gives producers and editors instant access to all migrated content.  Used by esteemed institutions like the Library of Congress for mass media migration, Meta Martis rolls in its FlyPack system making it self-contained, mobile, and on-premise—eliminating the need to ship your tapes to remote facilities. Instead, we bring archival excellence to your doorstep, ensuring all tape inspection, cleaning, migration, and metadata curation happen securely at your location, using your schema, and required specifications.

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 MWA

Booth 105 – mwa-nova.com

MWA Nova: continuity, stability, flexibility

Experience, quality and innovation are three other main characteristics of their systems for audio and film postproduction and archive applications.MWA Nova currently offers more specialist solutions for the actual physical transfer and replay of celluloid, nitrate and magnetic film for archival purposes than any other single manufacturer.

Our sales engineer Bernhard will be happy to answer any questions and arrange for you a demo of the spinner S2! Visit mwa-nova.com

An AMIA Contributing Sponsor

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Myriad Consulting & Training

Booth 204 – www.myriadconsultants.org

Myriad is a national nonprofit consulting firm that specializes in collections preservation and planning for small to mid-sized cultural organizations. From digitization project planning to organizational strategy and facilitation, it’s our mission to bring you practical plans and solutions to help you transform the way you share, manage and preserve your collections and the stories they represent.

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Origins Archival

Booth 304 – originsarchival.com

Established in 2018, Origins Archival is a Los Angeles based creative studio committed to the meticulous task of digitizing and remastering a wide array of motion picture film heritage, ensuring integral parts of history from the turn of the 20th century through the digital millennium are preserved. We believe education, community, and inclusivity will contribute to finding peace through culture. These three core values are the cornerstones of our mission: collaborating with and supporting filmmakers, archives, institutions, production companies, and private collections in digitizing their motion picture film libraries; demystifying and encouraging the contemporary use of motion picture film; educating like-minded and curious individuals about the importance of audiovisual preservation; unearthing, remastering, and publishing lost motion picture film treasures; producing physical archival matter, such as film prints, books, and disc sets, ensuring digital artifacts remain present in the real world; continuing the work previous generations of audiovisual archivists have so tirelessly set forth. With over 650,000 feet of film scanned, over a dozen films restored, and more than 2,000 books sold, Origins Archival is devoted to being a multi-faceted asset for film communities and archivists around the world.

 

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Prasad Corporation

Booth 203 – prasadcorp.com

Prasad Corporation utilizes the latest tools to scan and restore your motion picture film, including the DFT Scanity with high Dynamic Range technology. We focus on offering economical solutions to help you digitize your collections and make them more accessible. As Prasad Corp, our team’s years of experience allow us to handle complicated restoration projects.
An AMIA Sponsor
An AMIA Institutional Member

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Preserve South, Inc.

Booth 108 – preservesouth.com

Preserve South carries a tradition of great customer service, coupled with stellar quality on all digitization and media migration projects.

Atlanta-based Preserve South leverages the assets and equipment of partner company Backporch Broadcast and merges it with the industry experience of longtime industry alums Nathan Lewis, Emily Halevy, John Yancey and Matt Leatherman. This combination of resources allows Preserve South the opportunity to deliver the best in comprehensive digitization and preservation solutions in the South.

Specializing in digitization and media migration, Preserve South leverages years of industry experience to provide stellar quality on all projects.

An AMIA Institutional Member

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Scene Savers

Booth 308 – scenesavers.com

Scene Savers is a consulting and archival services company specializing in helping organizations digitize, protect and provide access to their invaluable audio, video and motion picture film assets. Our engineers have worked with many legacy tape formats since their inception, while providing the latest in transfer technology, such as HDR and 5k scans from motion picture film. With more than 37 years of experience working with AV materials, we’ve developed custom workflows for projects ranging from patron requests to large, complex news film collections with searchable metadata. Let’s talk about how we can help with your project.

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STiL Casing Solution

Booth 208 – stilcasing.com

The STiL Casing Solution: Help Preserve the Film Industry Anthology. The film community has long understood that images and sound recordings are important in the conservation of our social memory, which is essential to our identity and sense of belonging. Therefore, they must be preserved as part of our common heritage for future generations to enjoy.

Founded in 1997 in Quebec City, Canada, STiL Casing Solution focuses on the culture of innovation, mutual benefit, and is very customer oriented. The history of cinema involves the preservation of its most precious material. We offer a comprehensive archiving solution that has made us distinctive and unique in the protection and conservation of the movie industry’s assets for the past 24 years.

Our Analog Media Preservation system enhance air circulation to minimize premature film degradation (vinegar syndrome) over decades and was the first system designed to counter the effect of time.

Film has value as an object. As an industrial designer, STiL Casing Solution’s CEO has developed a product design methodology that reflects the same improvements, not only about how the case look but how functional and innovative it should be. Our techniques in film preservation enhances films conservation therefore extending its useful life.

Since the company’s inception, we have been forging partnerships with prestigious institutions like the Academy of motion picture art and sciences and film studios worldwide.
Our preservation technology reflects our primary mission of preserving the diversity of media and the multiple stories they carry in order that future generations know what came before.

An AMIA Contributing Sponsor
An AMIA Institutional Member

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The MediaPreserve

Booth 110 – ptlp.com

The MediaPreserve, a division of Preservation Technologies, provides high-quality reformatting services for audio, video and film. Using expertly-modified legacy equipment as well as current technologies, our staff of engineers, librarians, archivists and metadata specialists transfer and document your collection materials according to professional standards and best practices so that your AV assets remain accessible into the future.
An AMIA Contributing Sponsor

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Tuscan Archival by Lewis Plastics Co.

Booth 202 – https://tuscancorp.com

Proudly made in the USA, Tuscan Archival by Lewis Plastics Co., Inc. is the industry’s leading provider of premium film containers for film preservation and archival storage. Whatever you archive, Tuscan has the complete product line to fully preserve your films in 8mm, 16mm, and 35mm sizes. As the largest and only U.S. manufacturer, Tuscan Archival’s proprietary “ProVent” design achieves premium film preservation. With rapid turnaround and a great price point, Tuscan Archival is the perfect solution for all your preservation projects.
An AMIA Sponsor
An AMIA Institutional Member

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UV&S (Underground Vaults & Storage)

Booth 307 – www.uvsinc.com

 

Since 1959, UV&S has been a trusted partner for the motion picture and entertainment industry from around the globe.  Offering our flagship storage facility, “The Saltmine” located 650 feet underground, cutting edge technology solutions and turnkey branding and logistics for major festivals and events, clients from nearly every industry turn to UV&S for answers.

With an unrivaled commitment to customer service and a diverse range of products, we pride ourselves on listening to what clients really need, allowing us to provide customizable storage solutions worldwide.

UV&S operates multiple above and below ground facilities in the United States and United Kingdom.  Contact Kerry Sue Underwood, 661-478-7510 or Jeff Ollenburger, 800-873-0906 ext. 4203.

An AMIA Institutional Member

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NEH | Josh Sternfeld

National Endowment for the Humanities (NEH) Senior Program Officer Josh Sternfeld will attend this year’s conference and available to discuss federal funding opportunities for audiovisual collections care and digitization, research and development, education and training, community archiving, repository improvements, and more. Look for him at the NEH table in the pAVillion or feel free to arrange a brief 15-minute in-person consultation via email at jsternfeld@neh.gov for November 15 through the morning of November 17.

 

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