AMIA 2023 Exhibitors
Meet these Exhibitors in the Pavilion on Thursday and Friday, November 16th & 17th!
Blackmagic Design
Booth 102 – blackmagicdesign.com/
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and film restoration software for the feature film, post production and television broadcast industries.
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Christy’s Editorial
Booth 107 –www.christys.net
Since 1969, Christy’s Editorial has provided the Motion Picture and Television Industry with top quality products, rentals, repairs and service. We sell, repair and maintain legacy film post production equipment, including flatbed editing tables, power and hand rewinds, splicers, synchronizers, viewers, optical and mag sound readers and film benches. We carry supplies, including film leaders, cores, split and fixed reels, splicing tape, adhesive tape, editing gloves, film cleaning solutions and cloths, film cement, guillotine splicer blades and perforators, film measuring sticks, loupes and trim boxes. Please visit our online store at: christys.net Christy’s is the Western Hemisphere distributor for KEM, CTM and Steenbeck viewing, inspection and rewind tables. We also sell CTM film cleaning machines. Christy’s also rents a complete line of Avid Editing Systems and Storage and Post Production Facilities to house your production.
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Colorlab
Booth 206 – colorlab.com/
An AMIA Contributing Sponsor
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ColorScene
Booth 100 –www.colorscene.com
ColorScene is a highly respected systems integration company offering sales, service & support with an emphasis on image restoration, color grading, and film & digital image capture. ColorScene’s founder and CEO was the original design architect for daVinci Resolve. Bringing this unique product knowledge and deep understanding of the finishing process, the company practices a creative hands-on consulting approach to offer the best products and solutions for its customers.
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DFT – Digital Film Technology
Booth 205 – https://dft-film.com/
An AMIA Sponsor
An AMIA Institutional Member
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Digital Bedrock
Booth 302 – digitalbedrock.com/
An AMIA Sponsor
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Disk Archive Corporation
Booth 301 – www.diskarchive.com
We specialize in cutting-edge, high-availability, high-security enterprise-class archives and content libraries designed for the film, television, and legal evidence market. Trusted by Broadcast, Media, and surveillance companies, Producers, Distributors, and Archives worldwide, ALTO systems thrive in the most challenging environments, with over 400 systems in daily use.
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Duplitech
Booth 104 – www.duplitech.com
The Duplitech team provides digital preservation and archive restoration services including Film Inspection, 4K Film Scanning, Tape Migration, Digital Restoration (Film/Video/Audio), Dolby Vision HDR Color Grading, and Master QC. From our humble beginnings as a physical media duplicator, we’ve been adapting, evolving, and perfecting our solutions for over 25 years.
An AMIA Sponsor
An AMIA Institutional Member
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FilmFabriek
Booth 207 -filmfabriek.nl
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Filmic Technologies
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Filmworkz
Booth 311 – https://filmworkz.com/
We launched in 2022 bringing the power of the Emmy award-winning image processing technology of our family company, Digital Vision World, to an entirely new audience in the form of OFX plugins, together with our Archive Restoration Company, R3store Studios, and our Footage Fanatics at R3el.com (scroll down for ‘we are family’ )
From freelancers to international broadcasters, indie film makers to Hollywood studios and everyone in-between, Filmworkz is proud to take the Digital Vision 30 year heritage into the next decade and beyond by making the world’s most comprehensive suite of image-processing DVO Tools more accessible than ever before.
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Iron Mountain Media & Archive Services
Booth 102 – Website
An AMIA Sponsor
An AMIA Institutional Member
An AMIA Sponsor
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Lasergraphics|Galileo Digital
Booth 109 – https://lasergraphics.com/
Lasergraphics has been developing state-of-the art film imaging systems since 1981 and is the only motion picture film scanner manufacturer still investing heavily in R&D for archival scanning. Perfect for archival scanning and restoration, the 13.5K Director and 6.5K ScanStation can now scan lossless JPEG 2000, VistaVision (35 8-perf), 65-70mm 5-perf, and IMAX (65/70mm 8-perf and 15-perf) film. Both scanners come with new options for split reel plates to fit snugly over any cored reels; software-driven motorized film tension arms; 35mm 3-Track Sepmag/Fullcoat, 17.5mm Sepmag/Fullcoat, and Regular 8mm comMagmagnetic sound readers, Intelligent Noise Reduction (INR), and HDD or SSD internal storage.
The Archivist — scanning 17.5mm, 16/S16mm, 9.5mm, and 8/S8mm film at up to 30 fps and up to 5K resolution — is an affordable solution for archives on a budget.
Galileo Digital has also taken on global distribution for the new Cinetech BSF Hydra Film Cleaner. Now probably the industry’s finest film cleaner, the BSF Hydra uses the only solvent rated ‘EXCELLENT’ BY Kodak and operates at a cost 96-98% LOWER than HFE film cleaners.
An AMIA Contributing Sponsor
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Media Migration Technology
Booth 104– mmtfilm.com/
CIR is an internationally renowned manufacturer and designer of film archiving products such as 5k archive scanners, film viewing tables, rewinders, splicers.
Please visit mmtfilm.com and cir-srl.com or email info@mmtfilm.com
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Meta Martis
Booth 303 – www.metamartis.com
Meta Martis offers its cutting-edge videotape migration service to preserve and repurpose your invaluable media assets, at scale, on premise, including extracted metadata. Combining proven, best in class technology, Meta Martis goes beyond mere digitization to offer comprehensive media inspection and cleaning, meticulous signal analysis, and machine learning-driven extraction of people, logos, speech-to-text in 40 languages, and more. Your files are delivered on eco-friendly archival storage, complete with a visually intuitive, searchable library that gives producers and editors instant access to all migrated content. Used by esteemed institutions like the Library of Congress for mass media migration, Meta Martis rolls in its FlyPack system making it self-contained, mobile, and on-premise—eliminating the need to ship your tapes to remote facilities. Instead, we bring archival excellence to your doorstep, ensuring all tape inspection, cleaning, migration, and metadata curation happen securely at your location, using your schema, and required specifications.
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MWA
Booth 105 – mwa-nova.com
MWA Nova: continuity, stability, flexibility
Experience, quality and innovation are three other main characteristics of their systems for audio and film postproduction and archive applications.MWA Nova currently offers more specialist solutions for the actual physical transfer and replay of celluloid, nitrate and magnetic film for archival purposes than any other single manufacturer.
Our sales engineer Bernhard will be happy to answer any questions and arrange for you a demo of the spinner S2! Visit mwa-nova.com
An AMIA Contributing Sponsor
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Myriad Consulting & Training
Booth 204 – www.myriadconsultants.org
Myriad is a national nonprofit consulting firm that specializes in collections preservation and planning for small to mid-sized cultural organizations. From digitization project planning to organizational strategy and facilitation, it’s our mission to bring you practical plans and solutions to help you transform the way you share, manage and preserve your collections and the stories they represent.
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Origins Archival
Booth 304 – originsarchival.com
Prasad Corporation
Booth 203 – prasadcorp.com
An AMIA Sponsor
An AMIA Institutional Member
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Preserve South, Inc.
Booth 108 – preservesouth.com
Preserve South carries a tradition of great customer service, coupled with stellar quality on all digitization and media migration projects.
Atlanta-based Preserve South leverages the assets and equipment of partner company Backporch Broadcast and merges it with the industry experience of longtime industry alums Nathan Lewis, Emily Halevy, John Yancey and Matt Leatherman. This combination of resources allows Preserve South the opportunity to deliver the best in comprehensive digitization and preservation solutions in the South.
Specializing in digitization and media migration, Preserve South leverages years of industry experience to provide stellar quality on all projects.
An AMIA Institutional Member
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Scene Savers
Booth 308 – scenesavers.com
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STiL Casing Solution
Booth 208 – stilcasing.com
The STiL Casing Solution: Help Preserve the Film Industry Anthology. The film community has long understood that images and sound recordings are important in the conservation of our social memory, which is essential to our identity and sense of belonging. Therefore, they must be preserved as part of our common heritage for future generations to enjoy.
Founded in 1997 in Quebec City, Canada, STiL Casing Solution focuses on the culture of innovation, mutual benefit, and is very customer oriented. The history of cinema involves the preservation of its most precious material. We offer a comprehensive archiving solution that has made us distinctive and unique in the protection and conservation of the movie industry’s assets for the past 24 years.
Our Analog Media Preservation system enhance air circulation to minimize premature film degradation (vinegar syndrome) over decades and was the first system designed to counter the effect of time.
Film has value as an object. As an industrial designer, STiL Casing Solution’s CEO has developed a product design methodology that reflects the same improvements, not only about how the case look but how functional and innovative it should be. Our techniques in film preservation enhances films conservation therefore extending its useful life.
Since the company’s inception, we have been forging partnerships with prestigious institutions like the Academy of motion picture art and sciences and film studios worldwide.
Our preservation technology reflects our primary mission of preserving the diversity of media and the multiple stories they carry in order that future generations know what came before.
An AMIA Contributing Sponsor
An AMIA Institutional Member
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The MediaPreserve
Booth 110 – ptlp.com
An AMIA Contributing Sponsor
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Tuscan Archival by Lewis Plastics Co.
Booth 202 – https://tuscancorp.com
An AMIA Sponsor
An AMIA Institutional Member
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UV&S (Underground Vaults & Storage)
Booth 307 – www.uvsinc.com
Since 1959, UV&S has been a trusted partner for the motion picture and entertainment industry from around the globe. Offering our flagship storage facility, “The Saltmine” located 650 feet underground, cutting edge technology solutions and turnkey branding and logistics for major festivals and events, clients from nearly every industry turn to UV&S for answers.
With an unrivaled commitment to customer service and a diverse range of products, we pride ourselves on listening to what clients really need, allowing us to provide customizable storage solutions worldwide.
UV&S operates multiple above and below ground facilities in the United States and United Kingdom. Contact Kerry Sue Underwood, 661-478-7510 or Jeff Ollenburger, 800-873-0906 ext. 4203.
An AMIA Institutional Member
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NEH | Josh Sternfeld
National Endowment for the Humanities (NEH) Senior Program Officer Josh Sternfeld will attend this year’s conference and available to discuss federal funding opportunities for audiovisual collections care and digitization, research and development, education and training, community archiving, repository improvements, and more. Look for him at the NEH table in the pAVillion or feel free to arrange a brief 15-minute in-person consultation via email at jsternfeld@neh.gov for November 15 through the morning of November 17.