AMIA 2023 Workshops

AMIA 2023 includes three full day workshops and one day-and-a-half workshop, scheduled pre- and post-conference. Workshops must meet attendance minimums by October 20th.

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8:30 AM – 5:00 PM | Separate Registration Required
Workshop: Audiovisual & Preservation Technology Basics for Non-Engineers
James Snyder

The workshop will focus on providing a good technical basis, in plain English, for those who do not already have audiovisual engineering training. The goal is to allow non-technical people of all types to have a good, basic grasp of the technologies, concepts and terms involved in audiovisual recording and reproduction in general, digitization of audiovisual materials, and what is involved in file-based workflows, metadata and long-term data archiving once materials are digitized. People who attend the workshop will walk away with a good, operating grasp of the technologies involved, de-mystifying the terms and concepts audiovisual archivists face every day at institutions large and small to know what materials they are looking at, how to handle their preservation, how to plan for their digital conversion, and have a functional knowledge of the terminology and concepts required to write grants and contracts for digital conversion and storage of audiovisual materials.

 

8:30 AM – 5:00 PM | Separate Registration Required
The Art of Small Gauge Projector Maintenance and Repair
Louisa Trott, University of Tennessee
Dino Everett, USCA HMH Foundation Moving Image Archive
Skip Elsheimer, A/V Geeks
Kristin Lipska, Prelinger Archives
Jennifer Miko, Prelinger Archives
Seth Mitter, Canyon Cinema

The Small Gauge and Amateur Film Committee hosts a full-day pre-conference workshop on small gauge projector maintenance and repair. The workshop will cover an array of 16mm, 8mm, and Super 8 projector models and their repair and maintenance protocol. Attendees will have the chance to work hands-on with the playback machinery and will leave with the knowledge of how to care for the projectors needed to view their archival film. Our thanks to Boston Light & Sound for their generous support in making the workshop possible.

 

9:00 AM – 5:00 PM | Separate Registration Required
PBCore Training Workshop (1.5 days)

This PBCore training workshop is for archivists, media collection managers, production professionals, and anyone else interested in best practices for managing metadata around audiovisual collections. The workshop will provide extensive hands-on training with PBCore and the existing suite of PBCore tools, as well as offering attendees the opportunity to bring real-world cataloging problems and use cases to the workshop for discussion.  The first day of the workshop will is a full day and the second day (Wednesday) will comprise two sessions. Thanks to a generous grant from NEH, the workshops are offered free of charge.

 

 

 

 

 

11:00 AM – 2:00 PM | Separate Registration Required
PBCore Training Workshop: Day II

This PBCore training workshop is for archivists, media collection managers, production professionals, and anyone else interested in best practices for managing metadata around audiovisual collections. The workshop will provide extensive hands-on training with PBCore and the existing suite of PBCore tools, as well as offering attendees the opportunity to bring real-world cataloging problems and use cases to the workshop for discussion.  The first day of the workshop will is a full day and the second day (Wdnesday) will comprise two sessions. Thanks to a generous grant from NEH, the workshops are offered free of charge.

 

 

 

 

 

10:00 AM – 5:00 PM
Community Archiving Workshop
Organizers:
Pamela Vadakan, Community Archiving Workshop
Grace Lile, Independent
Mona Jimenez, Community Archiving Workshop
Kate Dollenmayer, Prelinger Archives
Jackie Jay, Farallon Archival Consulting LLC

Trainees:
Carmel Curtis, Indiana University
Elizabeth Hansen, Texas Archive of the Moving Image
John Horsechief, Osage Nation Museum
Justin Lemons, University of North Texas Libraries
Kristin MacDonough, Video Data Bank
Guadalupe Martinez, California Revealed
Jerrid Miller, Cherokee Nation Language Department (Archives)
Hannah Palin, Moving Image Preservation of Puget Sound
Ari Negovschi Regalado, Texas Archive of the Moving Image
Stephanie Stewart, American Song Archives
Grace Stroud, American Song Archives
Lulu Ziliniskas, National Cowboy & Western Heritage Museum

Community Archiving Workshop (CAW) provides moving image archivists the opportunity to serve the community of Tulsa and work with local volunteers to help an organization gain intellectual and physical control over an endangered audiovisual collection. The workshop provides a space for conference attendees to partner with local volunteers to conduct basic processing, cataloging and inspection and, by doing so, will learn how to identify risk factors and make preservation recommendations.    Attendees will gain experience in working with and training non-archivists to care for their collections. In the process, they will engage in hands-on processing, inspecting, and cataloging audiovisual media. Most importantly, they will build relationships and connections with the Tulsa community and learn about local history.

 

 

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